François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), is also his most personal. Told through the eyes of Truffaut’s life-long cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively recreates the trials of Truffaut’s own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, petty crime, and a friendship that would last a lifetime. The film marks Truffaut’s passage from leading critic of the French New Wave to his emergence as one of Europe’s most brilliant auteurs.
Three years after The 400 Blows took the world by storm, François Truffaut returned with the second chapter in the ongoing saga of romantic ne’er-do-well Antoine Doinel, Antoine and Colette. Originally appearing in the international omnibus film Love at Twenty, this nimble short subject is classic Truffaut, depicting a teenage Doinel (Jean-Pierre Léaud) living on his own and pursuing his first love affair, initiating a lifelong career of quixotic dreams and amorous restlessness.
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